turns precursor and trigger vocation Dee Nasty is inseparable the birth of Hip Hop in France, a movement which has continued to carry the flame to the point of becoming an indispensable reference.
After discovering the United States the break dancers and graffiti in 1979 at the same time as the Sugarhill Gang, Dee Nasty will gradually drop the guitar to tamper with the tapes. With an old beat-box and two turntables, he began looking for the new groove freshly imported from New York. Dee Nasty mania therefore scissors, glue and pencil before discovering the cross-fader.
To buy records, he toured Paris on his Vespa: the horse goes into radio and record labels through the back door. He identifies himself struggling to advance the movement: the Sunday afternoon he organizes hip hop in vacant lots north of the capital: a podium with a generator, 2 phono amplified: access to 5 francs, Dee Nasty kneaded funk and triturated vinyl, dancers hurl challenges, metal fences are colored frescoes realistic aerosol. Lionel D., Destroy Man and Johnny Go sweep the plaster at the microphone for all rappers that will later speak French in the text, circulating pirated cassettes, the D system is set up ...
Not content with being a DJ Dee Nasty self-released in 1984 on a 33 rpm Records Funkzilla Paname City Rappin. Smurf a face, a face Metro Scratch: words and music signed Dee Nasty. Heralding a golden age coming dj's, Dee Nasty demonstrates a way to accommodate two turntables for a maximum of groove and energy.
is the great period of the journal Current that goes with Radio Nova, amplify the movement. They organize with Dee Nasty the memorable evenings at Chez Roger Boite Funk Globo and are bringing Public Enemy and Afrika Bambaataa. We are in 1986, Daniel touches his first turntables and Technics MK2? Covers the comfort of baize to continue his quest for the "perfect beat".
Dee Nasty becomes sniper jellyfish and the public championship disc jockeys. He fascinates his audience of aficionados on FM and invites her fans the most virulent to test themselves behind the microphone during his broadcasts: what then are the beginnings of live NTM, MC SOLAAR, ASSASSIN, Ministère AMER, and many others are turning to their mix tape ? s goal in the Deenastyle on Radio Nova (tapes of his mixes are moving under the cloak for 3 generations.)
Before the late 80's, then there is still no other rap albums French , artists rely on his donations arranger and mixer scratcher: Amina, Cheb Khaled, Rita Mitsouko and the Beastie Boys, Arthur H, the funky old soul man Rufus Thomas. In his discography
added a personal series and compilations of singles, a double album in 1991 and The Deenastyle in 1993, with an invited Cut Killer, Dj Abdel, the Princes of Swing ("To our friends").
B. Boy The European ensures parallel to the first parts of Paris concerts for American legends of hip-hop that are Public Enemy, The Last Poets, Trouble Funk, Ice T, Spoonie G, Cash Money, Bambaataa & the Soul Sonic Force, George Clinton and Maceo Parker. With the latter (defector from James Brown's band) Dee Nasty inaugurates a series of collaborations on stage, it continues with another saxophonist, Japanese Shimizu.
Dee Nasty never left the scene, the flight case or his stack of records under his arm, he played in house parties on the ground of a free part in festivals and in MJC, bars and clubs in the provinces and Paris. After the release of his album NASTYNESS in 2001, he toured for two years in the world with Cachaito Lopez (REP), bassist of the Buena Vista Social Club, alongside the explosive late Cuban percussionist Anga Diaz (REP), which had brought to Cuba to record his first solo album Echu Mingu (World Circuit, 2005). eclectic musician, Dee Nasty also collaborated with Elephant System (avatar reggae-dub of trashy Treponem Pal) and Manu made with the devil. It runs since 2009 with Urban Swing Sound System
His last SYSTEM DEE , including a preview was available on the self-titled EP, is out. A dream for some, relief for others, one thing is certain: "the old timer is back! "Trad Vibe and that he has chosen!
1986 Maxi & Destroy Man JhonnyGo "It Balance" composition and production Remix Jhonny & Destroy Man Go "selfish" (Barclay)
1987 Maxi 'The Deenastyle No. 1' (Nova scratch)
1988 Remix Amina Belly Dance "(Polygram) Remix Cheb Khaled" the camel "(Area Rec) Remix Private Partner Remix Jhonny & Destroy Man Go "I've had enough" (Barclay) Remix Secret Weapon "Must Be The Music" (Karamel) & Remix Medley Rubettes for Jamie Remix (Main Karamel) Remix for the compilation "Paris megamix" Compil "Adventures in the land of funk medley vol.1, 2,3,4 Compil" Megamix "Vol. 1.2 and 3 (Solar)
1989 Maxi Dee Nasty "So Funky / Move" (Off the Tracks) Mick & Dee Medley (Emergency) Scratches for Kaoma Remix Lyn Collins "Think" (Karamel ) Remix Kova Rea "Night of Love" and "Annabelle" Remix Nec plus ultra "I rap" (Polydor) Rap Remix for Two "The general's voice" (Sony)
1990 Composition and making of the album Lionel D "Is not no problem" (squatter) Compil Rapattitude 1 "Funk size" (Delabel) Remix Lionel D "Is not no problem" Dee Nasty Remix "shoot low" (Polydor) Remix Rita Mitsouko "La Jalousie" (Virgin) Scratches for the album Saliha (Virgin)
1991 Double Album "Dee Nasty" (Polydor), featuring Yazuaki Shimizu, No Mad Sisters, Bronx Style Bob. .. Remix Lionel D. "For you my brother beur" and "There are people" (squat) Remix Malka Family (Barclay) Maxi of MBE: "I want cash" (BMG) Maxi Arthur H. "Cool Jazz" (Polydor) Production & Composition & Shy album of unashamedly "Explicit Lyrics" (Bondage)
1992 Remix FFF: "Marco" (Epic) Production & Composition for album of Rufus Thomas "Timeless Funk" ( Delabel) 1993
Compil "Rapattitude 2" "Prophet of Noise" (Delabel) Maxi Brigitte Dao "Be Responsible" (Polydor) Maxi Gayle Lynn "Never justify" (Polydor) Maxi & Remix Prince of swing "To our friends" (Polydor) Remix Phenomenal "Is that the sound is good" (Musidisc) Remix Tribal Jam "The sense of sharing" (EMI) Remix Dieudonne "Zen J'm'en cure" (EMI) Nuttea Daddy Remix "a dj from millions of DJs" (Delabel) Remix Shy & unashamedly "Holy Earth" (WMD) Remix of HMF " Drugs kill people "(BMG) Maxi Scratch of AMI" Keep on scratching "(Delabel) Scratches for Rita Mitsouko" System D "(Delabel) 1994
Maxi 33 Dee Nasty & Big Brother Hakim "Number One arbitrator" (Polydor) Album Dee Nasty "The Deenastyle" featuring The Princes of Swing, East, and Cut Killer Abdel, Gayle Lynne ... (Polydor) Remix Ramuntcho Matta "come sleep with me" (Cramned discs) Compiling 'Back to the beat " Compilation" Funky Party Mix 1 "(MCA) Remix Beastie Boys" Shure Shot "(EMI)
1995-1998 Remix Latin Jazz (Warner) Micro Remix (Portugal) Menelik Remix" have to let go "(Small) Remix and composition for NTM" Come again " 1 title for the soundtrack of the movie" When the Cat "with Big Brother Hakim Compilation Cut Killer Show 1 title (Small) Compilation" Rap Collectif "4 titles (Sony) Dynamax Maxi & Three (the Pharcyde)" Represent in Paris " Compilation" Funky Mix Party 2 "(MCA) Compilation" Tuner alive "title by Dee Nasty & Big Brother Hakim Compilation "Dee Nasty this diamond is forever" (Distance) featuring Cutee B, Jay Fast, Medhi, DJ Clyde
1999 1 title on the compilation "Double H DJ Crew" "It's the hip hop" (Small ) 1 track on compilation "Rap without visa": "The years go by" 1 track on the CD Sampler Humanoid 3D (Homecore) 1 track on compilation Keep it Blue "State of Soul" 2 titles ( 'I'm doing fine' and 'there's no place on earth') on the third volume of house compilations aline I Love ... "(Enchanted) Maxi bilingual Scienz of life on the Chicago label Guidance" Turn the page " Dee Nasty album 'Battle Breaks' (Nothing but soul rec) Co of the anthem of the Techno Parade "Music Makes Me Dance" (WM / Sony) Remix Big Red "The Deenastyle" (Source) Remix Sven Löve Catalan FC and "Save me "(Enchanted / Small)
2000 1 title ('I've got the answer') on the compilation" Prestige "(Le Maquis) Album 'D & D groove factory' Dee Nasty and David Chong (PIAS) Max with Red One "Condemned Love." Collection Dj Abdel & Cut Killer R & B 2000.
2001 Play on album Cachaito Lopez 'Cachaito Lopez "(World Circuit) Battle Breaks 82/84" (Funkzilla) Album Dee Nasty "Nastyness" featuring anti pop consortium, Apani, Kain, Saian Supa Crew, Solo & Kalash, Miguel Anga Diaz ... (Funkzilla) Maxi Nastyness ":" Hip Hop tradition "with Solo & Kalash "Bum Rush" with Dynamax (Funkzillz) Nastyness U.S. EP featuring Apani, Kombo, Scienz of life, Anti Pop Consortium, Grandmaster Caz & Dynamax (Funkzilla)
2002 1 title on Complate "Cake & Milk" , "It is not right" Participation in compilation "All Star DJ" (Virgin) Participation in the DVD "DJ School" Music for documentary "Djamel Realities, "a title Manu le Malin:" Mutations "on the double album Fighting Spirit System Remix Elephant" Free Man "
2003 Scratches on" Hip Hop "and" T-Funk "to Triptik" TR 303 "(Nocturne) 1 title" Put the fire on the airwaves "with TooCool Lesty and Daddy on the compilation" Original Raggahiphop Massive 2 "(Virgin) 1 title" We Control the Border "with Jamalski on the compilation" Original Massive Raggahiphop "(Virgin) 2 tracks on the single" Battle 04 "with Olivier Portal (Dialect) 1 Maxi 4 tracks" the Link "(bootlegs)
2004 1 title" News Flash Info "on the EP Dynamax (Shuga / Dreyffus)
2005 Turntablist on abum Miguel Anga Diaz (RIP)" Past due Mingu "(World Circuit) Compilation" Undergroud Forever "(Human / UWE)
2009 album "System Dee (DEE SYSTEM, OLD SCHOOL FUTURISTIC: HIP HOP BIG, perfect combination of FUNK, HIP JAZZ FUNK SPACE and electro ,.... This album is already figure 'event, insofar as it marks the long awaited return of one of the most respected DJs in the world ... Grand Master Dee Nasty. Never short of inspiration, DEE NASTY is where we expect him to take us in sectors as diverse as the artists who participated in this album: DYNAMAX, MBE, AND SCIENCE OF LIFE KONDHO, ENZ and DJ SUSPECT, URBAN SWING SHOT? K MICIZART, Baba Sissoko ... After over 25 years of service HIP HOP, DEE NASTY continues to make everyone agree with SYSTEM DEE, the album will take you to a summer full of PEACE, UNITY, LOVE & FUN !!!!!!!!) In Compilation Fashion Funk (4 CD box set A luxurious DIGIPACK - 57 TITLES mixed by the 2 biggest French DJ Dee Nasty FUNK & Bronco. - 57 bombs to celebrate 40 years of Funk - The unprecedented meeting of the 2 biggest DJ Funk DJ DEE NASTY & DJ BRONCO - More than 5 hours a night to mix 100% funk!)
Little writing at this time (too little, for lack of time) One
v1 for a new TA "on track" Project Transition. I let stand two weeks and I reread it with fresh eyes.
few lines for another new one. I had an idea at first, but by asking my character's history was reconstructed. So if I have time to finish before the deadline of TA will be without a net: I do not know exactly how I'll go where I go.
I have not had time to rework my project in white (although I hey, I'm already attached to the characters).
I have to finish my syno for Here and There . It discourages me a little that I would not have time for writing now. I'll have to admit that I must be a syno I work after temporary. It hurts my heart.
Otherwise, I reworked a new one to send it to "give voice" (deadline 30 January) and sent "The Guilty" (Fantasy) to AOC. I'm glad Blord tries his luck somewhere.
George Johnson (Los Angeles, California, May 17, 1953) Louis Johnson (Los Angeles, California, April 13, 1955)
Both Johnson brothers began their musical career very young in high school component with their eldest son Tommy and their cousin Alex Weir, Johnson Three Plus One. Very highly rated in the world of the soul of Los Angeles in the early 1970s, they were regularly accompanied in the studio, on stage, artists like the Supremes, David Ruffin, Bill Withers and Bobby Womack. George and Louis are quick to take off as a duo, writing songs for four hands they provide including Billy Preston for his album Music Is My Life (1972) and The Kids & Me (1974 ). The next year is even stronger, while Quincy Jones, always on the lookout for new talent, the two brothers discovered by accident one day when they audition Stevie Wonder in the studio. He calls on the field for a tour in Japan before calling them for his album Mellow Madness which they provide several texts as Just a Little Taste of Me especially Is It Love That We're Missin ' they perform with him. The success of this collaboration marks a turning point for the Brothers Johnson on tour in Japan with Quincy Jones before joining A & M on its recommendation to burn under his leadership the prophetic Look Out for No. 1 : in s imposing top of the best sales during the summer of 1976, this album definitely makes about giving them two bestselling books, I'll Be Good to You (Soul No. 1, No. 3 Pop) and Get The Funk Out My Face .
sales Look Out for No. 1 having passed the one million copies, A & M offers the duo renew their collaboration with Quincy in 1977. Full-time disco funk, drum machines and synthesized guitars of brothers are all the rage and Right on Time turn becomes platinum album in three months, while Strawberry Letter 23 (a song borrowed from son Johnny Otis, Shuggie), with its guitar solo Lee Ritenour signed, gives the names of the Brothers Johnson at the top of the charts in black. The scenario is repeated almost identically with Blam! seven weeks heads bestseller Soul album in 1978, then again two years later with Light Up the Night whose title Stomp! , ubiquitous on dance floors in 1980, George and Louis gave their third and final Number One
With the 1980 maturity yields to some wear, especially the brothers chose to go now Quincy Jones in 1981 if Winners carries a solid hit with The Real Thing, the album sales are much lower than what the Johnsons have experienced so far. Blast! (The Lastest And The Greatest) two years later, with a face of past successes and a new face, and Out of Control in 1984 reported a slowdown in their adventures together. Since the beginning of the decade, Louis is one of the most popular studio bass players wanted the art (including one can hear on the album Thriller by Michael Jackson) and George working regularly with Steve Arrington, which does not prevent them ending up on time for projects often involving their favorite producer, Quincy Jones. in 1989 for his album Back on the Block, Quincy Jones gave them a tribute by asking Ray Charles and Chaka Khan back I'll Be Good to You, which found that occasion the first place the charts black.
Discography
1976: Look out for No. 1 01. I'll Be Good To You 02. Thunder Thumbs And Lightnin 'Licks 03. Get The Funk Out My Face 04. Tomorrow 05. Free And Single 06. Come Together 07. Land Of Ladies 08. Dancin 'And Prancin' 09. The Devil (album Look out for No. 1)
1977: Right on time 01. Runnin' for Your Lovin' 02. Free Yourself, Be Yourself 03. 'Q' 04. Right on Time 05. Strawberry Letter 23 06. Brother Man 07. Never Leave You Lonely 08. Love Is (l'album Right on time)
1978: Blam ! 01. Ain't We Funkin' Now 02. So Won't You Stay 03. Blam !! 04. Rocket Countdown - Blastoff 05. Ride-O-Rocket 06. Mista' Cool 07. It's You Girl 08. Streetwave (l'album Blam !)
1980: Light up the night 01. Stomp 02. Light Up The Night 03. You Make Me Wanna Wiggle 04. Treasure 05. This Had To Be 06. All About The Heaven 07. Smilin' On Ya 08. Closer To The One That You Love 09. Celebrations (l'album Light up the night)
1981: Winners 01. The Real Thing 02. Dancin' Free 03. Sunlight 04. Teaser 05. Caught Up 06. In The Way 07. I Want You 08. Do It For Love 09. Hot Mama 10. Daydreamer Dream (l'album Winners)
1983: Blast ! 01. Funk It (Funkadelala) 02. Welcome To The Club 03. The Great Awaking 04. I'm Giving You All of My Love 05. The Real Thing 06. Ain't We Funkin Now 07. Strawberry Letter 23 08. Stomp 09. Get The Funk Out Of Ma Face 10. I'll Be Good To You (l'album Blast !)
1984: Out of control 01. You Keep Coming Back 02. Lovers Forever 03. Do You 04. Let's Try Love Again 05. I Came Here To Party 06. Out Of Control 07. Save Me 08. Tokyo 09. Dazed 10. It's All Over Now (l'album Out of control)
1988: Kickin' 01. Kick It To The Curb 02. Real Love 03. I Fresh 04. Still In Love 05. P.O. Box 2000 06. Ball Of Fire 07. We Must be In Love (Duet w/ Denise Vallin) 08. I'll Give It Up 09. This Is Our Love 10. Party Avenue ( l'album Kickin' )
2003: The very Best Of 01. Is It Love That We're Missin' 02. I'll Be Good To You 03. Thunder Thumbs And Lightnin' Licks 04. Get The Funk Out Ma Face 05. Free And Single 06. Tomorrow 07. Strawberry Letter 23 08. Runnin' For Your Lovin' 09. Q 10. Ain't We Funkin' Now 11. Ride-O-Rocket 12. Mista' Cool 13. Stomp! 14. Light Up The Night 15. Treasure 16. In The Way 17. The Real Thing 18. Welcome To The Club 19. Funk It (Funkadelala) 20. You Keep Me Coming Back ( l'album The Very Best Of )
Musiques
Videos
source of the biography: Encyclopedia of Rhythm & Blues, Sebastian Danchin (2002 - Fayard)
Mel Hardin and Tim McPherson Two cousins from Holly Springs, Mississippi, began by proxy all their hopes in the gospel with Welcome Travelers before being lured by the sirens of R & B. Taken contracted in 1969 by Gene Chandler, soulman emeritus of Chicago and has just set up the Bamboo brand, Mel & Tim successful a master stroke as their first single Backfield in Motion , sold over a million copies and ranked in the Top 10 R & B and Pop 1969. Confirmed in early 1970 by the honorable achievement Good Guys Win in the Movies , this bestseller is not sufficient to resolve the financial difficulties of Bamboo and the duo expects to be relieved of its contractual obligations to try his luck in Muscle Shoals Sound Studios where Barry Beckett - a former pianist Sam McClain, with whom he discovered Muscle Shoals - and drummer Roger Hawkins entrust them with a composition of the singer "Prince" Phillip Mitchell as Sam & Dave had save nearly four years earlier. Taken licensed by Stax where we still do not grieve the creators of Soul Man , Starting All Over Again (It all starts) appears to bode well for Mel & Tim who see their career start on a new footing, their name moved into the Top 20 Pop and fourth place rankings Soul during the summer of 1972, a preview of the album Starting All Over Again . Their next single, I May Not Be What You Want , no lack of energy, but he reminds too Backfield Motion to keep the duo in the heights of the charts. Until the company closed its doors in Memphis in late 1975, Mel & Tim also remain faithful to their record company and their producers to Muscle Shoals, without finding a way to success reacquainted.
Well, should not cloud the issue: the black flag flies over the pot. Global stock markets are the trunk, the dollar is in full bechamel, Greeks and the Irish have been extremely puncture of the IMF, growth decreases, the boxes are downsizing, job recruiting and Paula Arab on the corner does more credit .
The cowardly assassination of our nest egg is set. But what is the dirty culprit, the awful murderer lurking in the shadows, ready to strangle us, we siphon to the bank account?
to believe the newspapers and the so-called social networks, where thousands of Nobel economics pontificate in a very entertaining ego, the culprit has a name: the speculator. And faces: Madoff, and other Machiavellian kerviel of high finance.
Question mentality, Madoff was a real lame, Acc. Jerôme Kerviel and was suffering from delusions of grandeur hardly compatible with the peaceful life of our society in general. But as the general of an army of occupation, their faces concealed those millions of soldiers from the shadows. And who are these unknown soldiers of the speculation? You, yes you, dear friends. Often unknowingly, moreover, irresponsible but not guilty! And why? Quite simply by placing your meager wages and your little savings in interest-bearing accounts and other mutual funds that are safe to give a good god no sin of usury and no religion.
So obviously, you have nothing to do with large predators like Madoff. Certainly, unless you are millions of small streams "small wins", and that ultimately, the river swells dangerously speculative, out of bed and eats all grown small squirrels away like common tassels.
And to illustrate my brilliant way, I want to exhume the relentless demonstration here of Marcel and Botafoin Volfoni the remarkable Professor, Graduate University of Montlucon and Chantal Nobel prize in economics.
The action takes place at the bar that holds Ginette St-Jean de Boiseau near the garage Rochard regretted. To increase its sales in economic doldrums, she decides to extend credit to its loyal customers, almost all long-term unemployed. Because she sells on credit, Ms. Ginette see its progress and attendance, in addition, may slightly increase the cost base of the girl Muscadet and red balloon.
The young and dynamic "kerviel" from the local bank looking for growth opportunities. He turns to the mainstays of bistro, arguing that the "slate" of troquet are, after all, the assets recoverable, and begins to give credit to Ms. Ginette, with steep debts of good guys from Saint John of Boiseau as collateral.
At the headquarters of the bank, traders turn these assets recoverable CDO, CMO, SICAV, UAS, UFO, SOS and other financial acronyms that no one is able to understand. These financial instruments are then used as leverage to market and drive shareholder, the Stock Exchange on Wall Street, the City of London and Frankfurt stock exchanges of Paris, etc.., Short for derivatives transactions which are guaranteed totally unknown all (ie, slates of drunks Ginette).
These "derivatives" are then traded for years as if they were very solid and serious securities in financial markets worldwide. Until someone realizes that the good guys troquet of St. John of Boiseau not a round to pay their debts. The refreshment of Mrs. Ginette went bankrupt and the slump is quickly contagious.
Well, you say, with bad faith that characterizes you, everyone is a customer of Ginette and lady does not drink a drop too much after yet another letter from Ms. Paule job informing you of your rights continue to point with goofs off. Nevertheless, you was just as guilty as the pillars of troquet with your mutual funds (six wine?) Revolvers and other credits, history of buying the latest plasma screen instead of going to give blood, band of selfish !
So what?
But just convince skulls the Bercy egg leaving the euro and to adopt an ancient coin, the farthing.
Professor Volfoni alerted the government of an imminent bankruptcy if it stays in Euroland. "These are no longer lean that I see coming is a flight of black crows! The Germans overworked, they can not cope, he said the sad lords of Bercy. And yet, I will only speak about the bankruptcy of the country. In our beautiful provinces, not better. Each local baron marched printing money. Compared to the state of their finances, the bottomless pit is Byzantium, an investment of a good father. "
The hardest part will paradoxically to choose the name of the future currency of France. No return to the franc, it would be a little looser side vintage kind René Coty makes its umpteenth devaluation.
"No, claims Professor Volfoni. We need to openly side with us Greeks, those who prefer to eat olives taking a drink instead of beer burp her before Derrick! . And our brilliant economist suggest the penny. Beyond the joke side of the name, especially for those who have in hand, he must know that the penny is not only the medieval currency "of little value, but it was also the currency of ancient Greece. We will thus pay tribute to the Greek management, far more entertaining than the Teutonic thoroughness or madness speculative Anglo-Saxon.
decided that it will be worth Obole a frank and six cents, or 0.156 euros.
A ticket will be issued. This will cut farthing ...
I do not know if I'm really ashamed to have or be a little proud, but I wrote this poem for Codex Poeticus when they call for texts "Vogon poetry" (one thing is certain, I had a lot of fun). The poem was not selected because he had not been unanimous committee. But perhaps it will appeal to some visitors of this blog ...
HALT
Thus, again driven by your foolish whims, In the noise away without slapping your back, Do can we ever squatted in space Shouting "foo" one day? O chief! the army just behind his preparation, And if it was near the latrine again, Look! we hurt, perched on this rock Where you stay we did! You stumble again, furious gripe, again you vomit on our flanks atrophied Even your flowers will spread wind-wave On our feet puffy. Before, you remember it? we need to defecate; For we hear in the distance the force of your brave, strong The flatulence of our loyalty Our consonant sounds. Hear our request made in quadruplicate Whether your beautiful eyes bleary, like a burning bush; Lise diligently, and let your voice Herdsperson Forget the words "Vogon! Coward tone pet, all you skull militia! Cast your stinking gas: Free promptly refuse In these ferocious booing your breast! "Enough can not compisser brave, nor shit blessed; Pour nimbly assembled in this place; Your berlingots nodosum. "Hurry up, hurry up, we leave soon Demolish and strike! The Vogon not expected, as the rapid rot;
No other possible title for this post. Let me explain. I on fire the synopsis of the challenge 2011, during which I planned to try my hand at first novel ( Here and There , the fantasy). I side of a new SF that I intend to finish a day (word swaldis). And what I find something better to do? Start a new narrative. The white. And without a net. Just two male characters that I want to live. The first scene is in the box (head), being written, the second is emerging with increasing clarity. And then I end the scene. Between, nothing. I set ... uh ... if I can find between a quarter of an hour and a half hour a day I consider myself happy.
Letter to Georges Freche and statues he forgot to erect
From here, Georges Freche, with your procession of statues, pots and excesses of all kinds. Died tragically at the end a long and painful Septimanie the toni-gangster mayor of Montpellier has been unfairly sidelined by his evil socialist comrades. And yet, what builder! What a visionary!
Well, in defense of the elephants of Solferino, we must recognize that Georges Freche had the strange habit, particularly towards the end, to compete with Le Pen and Mélenchon with the little people. Never late for a good joke on the Harkis footballers or blue "too black" for his taste. Good, but can we really blame a man who said that Laurent Fabius was not a "face very Catholic" and Nicolas Sarkozy "great mamamouchi heels (talent?) compensated." I ask you, indeed!
But all this is frothy lapping days and vulgar. SEPTIMANIE I will anyway in history thanks to his carefully erected statues before disappearing.
What a splendid idea that, unfortunately fallen into disuse, to brighten our provinces consisting of statues allowing our beautiful youth to learn history first hand rather than in buttock of a goat.
few days before moving from life to death, Georges Freche unveiled the bronze figures of Jaures, De Gaulle, Roosevelt, Churchill and Lenin. So many choices, but great figures are missing from the pantheon outdoors. Starting
course by Paul Deschanel, which is hopelessly impossible to find a statue, a square, a square or a small street on the outskirts of an ordinary sad garrison town. No, really, short memories and ingratitude are too often both breasts of France!
And yet, what a great man this Deschanel ... A powerful sword, not least for his work in favor of wearing pajamas and car beds.
A mind awake and bright too. Fierce opponent of the reactionary autocrats such contemptuous of universal suffrage, those mystics who believe that disaster, which could emerge a new world, Paul Deschanel is foremost man of great sentences, the oratorical talent, far from pathetic soundbites punctuating the early morning radio and the appointment of little interest cathode Sunday evening.
"France is a democracy in his soul and his body in a monarchy. The Revolution was a desire to escape his body . Who wrote these lines of light? Victor Hugo? Clemenceau? François Mitterrand? Micheline Dax? Lady gaga? Nay! They are signed Paul Deschanel, the President alone to worship French Buster Keaton.
But the powers of money and ragoteurs have been there, plotting a heinous attack against our great man, going up to drop a train. Rescued by a lifeguard from the shadows, almost anonymous but probably notorious alcoholic, saddled with the name of Raft (Bombard was not free), Paul Deschanel has owed its salvation to the presence of mind of Mrs. Raft . In Seeing the "feet so clean" of his host for the evening, she helped the highest authorities to trace the tenant of the Elysee.
man of peace and culture, he was the victim of the hawks, not to mention true. It is high time to report, finally, a fitting tribute and to erect a statue in the pantheon frêchien.
With him, France has to repair a serious omission. Instead of folding the ears with the letter, certainly sympathetic and moving, Guy Mocquet all uncultivated and Stalinists were decked out as the subject of resisting, let us instead of Guy Mollet.
This man had, as the egg of the same name, a singular and original political destiny: either overcooked or too raw, not fried or hard, just soft! Guy Mollet curiously dies of cardiac arrest at the beginnings of the creation of the PS in 1969. As Grossouvre later, Guy Mollet discovers signs of friendship unique to Francois Mitterrand. And with him died any hope of social democracy to the French.
third and final personality that urgently need to erect a statue septimaniale: Marguerite Duras How this woman, who collected lovers like good vintages, perhaps, it also deprived of representation in bronze. That leaves the marble, no?
Long before Eric Zemmour, Marguerite Duras, aka Marguerite Donnadieu Germaine, projections were very divisive. She said so in 1940 it was the duty "of superior races to civilize the inferior races." Sincerely
alcoholic, always an alcoholic, Marguerite Mitterrand joined the network in the resistance. Suddenly, she is experimenting with pipes before thinking: she attends and the Sonderführer Gerhard Heller, minister of culture in Lacombe Lucien. It quenches his thirst for knowledge new experiences to "attend" Charles Delval, an active member of the French branch of the Gestapo, who stopped her husband Robert Antelme.
Drunken rage, Marguerite joined the Communist Party at 44. Drunk by his strange habit of making sentences, our friends have excluded the Stalinists in 1947. EC, which earned him a long friendship with a certain Morland, which we lose track of it 42 in a spa town in the Allier. He veni, vici not he, but he Vichy! Tired
by alcohol, Marguerite Duras began a rehab in May 68, leading him to support the protesters at the time, football commentators now on Canal +
Revenue to alcohol and lucidity, Margaret bought a turtleneck in 1975. Sublime necessarily sublime.
For her, like Paul Deschanel and Guy Mollet, plead my friends so that their statues swiftly join the great men of Georges Freche. There will be time to think of other notable absentees: Hervé Vilard, whose statue adorns the port of Gijon already, Father Rochard, garage eponymous Saint-Jean-de-Boiseau, champion of victims of Alcatel, Marcel Chopin, a musician and builder of a stadium foutballe Nantes, Micheline Dax, Jean Lefebvre Of course Jean-Baptiste Carrier, creator of Estuary 1793 which the maxim does not leave us: "No one is supposed to ignore the Loire."
